Marimba

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Castle Valse Classique, Xylo & Mar. Quartet (A. Dvorak/arr. Yurika Kimura)

$24.00
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The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.

The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.

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Cattelin

$10.00
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A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.

A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.

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Centipede

$8.00
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Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.

Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.

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Cerulean Landscape

$14.00 – $17.00
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Cerulean Landscape was written for solo marimba (5.0) in 2013 for Japanese marimbist Kana Omori. It is a moderately difficult work of 5’40” in length, in a freely composed style and form, progressing through various beautiful and lyrical landscapes. This is an excellent work to showcase the versatility and expressiveness of your musicality, and is highly recommend for a college level recital.

Cerulean Landscape was written for solo marimba (5.0) in 2013 for Japanese marimbist Kana Omori. It is a moderately difficult work of 5’40” in length, in a freely composed style and form, progressing through various beautiful and lyrical landscapes. This is an excellent work to showcase the versatility and expressiveness of your musicality, and is highly recommend for a college level recital.

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Chorale Variations

$30.00 – $35.00
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Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.

Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.

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Choro No. 1 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Choro No. 3 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Choro No. 9 (Marcellino/arr. Gordon Stout)

$10.00 – $11.00
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Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.

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Concerto for Marimba & Orch. Piano Reduction

$38.00 – $44.00
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Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

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Concerto for Marimba and String Orch.—Piano Red.

$48.00 – $55.00
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Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

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Dances For Luna

$10.00
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‘Dances for Luna’ is a real gem of a marimba piece – exciting, challenging and musical! Its many different stroke types, idiomatic to the instrument, will build mallet independence and control. Ideal for a senior recital, with its dance-like feel and rich harmonic content, ‘Dances for Luna’ will appeal equally to performers and listeners.

‘Dances for Luna’ is a real gem of a marimba piece – exciting, challenging and musical! Its many different stroke types, idiomatic to the instrument, will build mallet independence and control. Ideal for a senior recital, with its dance-like feel and rich harmonic content, ‘Dances for Luna’ will appeal equally to performers and listeners.

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