Duet For Marimba and Piano
$13.00The 1st-place winner in the 1996 PAS composition contest for marimba solo with piano accompaniment.
The 1st-place winner in the 1996 PAS composition contest for marimba solo with piano accompaniment.
Showing 33–48 of 99 results
Showing 33–48 of 99 results
The 1st-place winner in the 1996 PAS composition contest for marimba solo with piano accompaniment.
The 1st-place winner in the 1996 PAS composition contest for marimba solo with piano accompaniment.
Duo Concertante for Vibraphone and Marimba is a bravura crowd pleaser for two strong players. The style has a baroque flavor, offering players and audiences to hear the materials develop, cross and re-cross parts, and engage in contrapuntal arabesques.
Duo Concertante for Vibraphone and Marimba is a bravura crowd pleaser for two strong players. The style has a baroque flavor, offering players and audiences to hear the materials develop, cross and re-cross parts, and engage in contrapuntal arabesques.
This unique five-movement duet for snare drum and marimba embraces the timbral contrasts between both instruments, while also experimenting with the colors created while they are played simultaneously. A very musically demanding work!
This unique five-movement duet for snare drum and marimba embraces the timbral contrasts between both instruments, while also experimenting with the colors created while they are played simultaneously. A very musically demanding work!
Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura
Mauro Giuliani is widely considered to be the leading Italian guitar virtuoso of the 19th century. He is remembered most for his concertos, sonatas, duos with violin or flute, and numerous songs and studies. In this collection, four of Giuliani’s most memorable rondeaux have been transcribed for marimba.
Mauro Giuliani is widely considered to be the leading Italian guitar virtuoso of the 19th century. He is remembered most for his concertos, sonatas, duos with violin or flute, and numerous songs and studies. In this collection, four of Giuliani’s most memorable rondeaux have been transcribed for marimba.
Four beautiful Mendelssohn selections arranged in duet versions by Jeff Cornelius.”Whether as a teaching tool or a supplementary piece on a recital program, college educators will find Jeff Cornelius’s arrangements very useful.”-Percussive Notes
Four beautiful Mendelssohn selections arranged in duet versions by Jeff Cornelius.”Whether as a teaching tool or a supplementary piece on a recital program, college educators will find Jeff Cornelius’s arrangements very useful.”-Percussive Notes
Four beautiful Mendelssohn selections arranged in solo versions by Jeff Cornelius.
Four beautiful Mendelssohn selections arranged in solo versions by Jeff Cornelius.
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.
This song cycle for marimba and medium voice and marimba part can be played on a 4.3 and utilizes a variety of techniques, including one-handed rolls in the left hand. The infusion of jazz style elements in this piece makes it an exciting new addition to the marimba repertory.
This song cycle for marimba and medium voice and marimba part can be played on a 4.3 and utilizes a variety of techniques, including one-handed rolls in the left hand. The infusion of jazz style elements in this piece makes it an exciting new addition to the marimba repertory.
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
Two movements from Bach’s C-minor lute suite, arranged for marimba and vibraphone.
A duet for two five-octave marimbas.
A duet for two five-octave marimbas.
Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!
Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!
Duet for Vibraphone and Marimba.
“This fun, low-pressure duet is full of energy and life … Both mallet players will appreciate the challenge presented towards the end of the work where each part is written in fast eighth-note octaves.” —Percussive Notes
Duet for Vibraphone and Marimba.
“This fun, low-pressure duet is full of energy and life … Both mallet players will appreciate the challenge presented towards the end of the work where each part is written in fast eighth-note octaves.” —Percussive Notes
Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.
Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.
In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
Music from Four-Mallet Ballet
Music from Four-Mallet Ballet