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Showing 17–32 of 115 results
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Showing 17–32 of 115 results
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Castle Valse Classique (A. Dvorak/arr. Kimura)
$22.00The name Castle Valse refers to the dance team Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. They appeared with Earl Fuller’s Rector Novelty Orchestra at Rector’s Restaurant in NYC in 1917, a time when Fuller also featured George Hamilton Green in his ensemble.
The name Castle Valse refers to the dance team Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. They appeared with Earl Fuller’s Rector Novelty Orchestra at Rector’s Restaurant in NYC in 1917, a time when Fuller also featured George Hamilton Green in his ensemble.
Castle Valse Classique, Xylo & Mar. Quartet (A. Dvorak/arr. Yurika Kimura)
$24.00The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.
The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.
Children’s Corner (Debussy/arr. Leigh Howard Stevens)
$17.00 – $20.00Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
Choro No. 1 (Marcellino/arr. Gordon Stout)
$10.00 – $11.00Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Choro No. 3 (Marcellino/arr. Gordon Stout)
$10.00 – $11.00Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Choro No. 4 (Marcellino/arr. Gordon Stout)
$10.00 – $11.00Music originally for guitar in Brazilian folk style, written by Augusto Marcellino.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino.
Choro No. 9 (Marcellino/arr. Gordon Stout)
$10.00 – $11.00Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Christ Lag in Todesbanden (Bach/arr. Leigh Howard Stevens)
$8.00 – $9.00This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
Concertino for Marimba and Two Percussionists
$35.00An exciting work by an outstanding Japanese composer, Concertino for Solo Marimba and Two Percussionists displays the talents of the solo marimbist in a small ensemble setting.
An exciting work by an outstanding Japanese composer, Concertino for Solo Marimba and Two Percussionists displays the talents of the solo marimbist in a small ensemble setting.
Concerto for Marimba & Orch. Piano Reduction
$38.00 – $44.00Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Concerto for Marimba and Orchestra
Available For Rental OnlyWinner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Concerto for Marimba and String Orch.—Piano Red.
$48.00 – $55.00Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Concerto for Marimba w/piano reduction
$53.00 – $62.00Concerto for Percussion & Wind Ensemble
$30.00First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.
First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.