Marimba

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Two Part Inventions (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.

These two-part Inventions have the all the necessary transpositions for a low ‘A’ marimba and Stevens’ all-important stickings, which allow these delightful works to be played smoothly by a marimba soloist.

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Two Short Dances

$9.00
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Begins with a 12/8 swing and moves into a slow expressive rubato before accelerating back into a swing feel for a dramatic finale. Both dances can be performed on a 4.3 marimba.

Begins with a 12/8 swing and moves into a slow expressive rubato before accelerating back into a swing feel for a dramatic finale. Both dances can be performed on a 4.3 marimba.

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Uninhabited Admittance

$14.00 – $17.00
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Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.

Uninhabited Admittance is a many faceted composition for solo 5.0 marimba. It is lyrical, jazzy, rhythmically varied, and a great deal of fun to play. Highly recommend for the advanced marimba recital.

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Valse Brilliante Op. 34, No. 2 (Chopin/arr. Jeremy Muller)

$10.00
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Bringing Chopin’s intimate and quasi-improvisational work to the warm sound quality of the modern marimba is an innate marriage. One can only wonder what he would have written for the marimba if he had access to the knowledge, pedagogy, and instrument of today. But this arrangement may give us a glimpse of this by illustrating an introspective mood for marimba. Valse Brillante is an alluring work emphasizing the sumptuous features of the marimba.

Bringing Chopin’s intimate and quasi-improvisational work to the warm sound quality of the modern marimba is an innate marriage. One can only wonder what he would have written for the marimba if he had access to the knowledge, pedagogy, and instrument of today. But this arrangement may give us a glimpse of this by illustrating an introspective mood for marimba. Valse Brillante is an alluring work emphasizing the sumptuous features of the marimba.

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Valse Espagnole

$20.00
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This virtuosic work commences very much in the spirit of the introduction to Franz Liszt’s Mephisto Waltz No. 1, exhibiting a boisterous sensibility that is buttressed by substantial technical demands.

This virtuosic work commences very much in the spirit of the introduction to Franz Liszt’s Mephisto Waltz No. 1, exhibiting a boisterous sensibility that is buttressed by substantial technical demands.

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Variations on a Theme By Handel

$10.00
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Plenty of musical challenges await the player in the guise of an intermediate level work. Six variations follow the theme. The variety of textures makes this work a great study piece as well as a delight for the audience.

Plenty of musical challenges await the player in the guise of an intermediate level work. Six variations follow the theme. The variety of textures makes this work a great study piece as well as a delight for the audience.

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Variations on Little Golden Oriole

$15.00
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The metrical and stylistic treatment Chen gives this traditional Chinese melody is sure to captivate any audience. Independent rolls and great overall coordination required. Can be played on a 4.6 octave instrument.

The metrical and stylistic treatment Chen gives this traditional Chinese melody is sure to captivate any audience. Independent rolls and great overall coordination required. Can be played on a 4.6 octave instrument.

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Variations on Lost Love

$14.00 – $17.00
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A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.

A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.

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Variations on Porgy and Bess (Gershwin/arr. Eric Sammut)

$21.00 – $24.00
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This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”

This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”

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Virginia Tate – cover
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Intermediate
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Virginia Tate

$14.00 – $17.00
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Truly a beautiful addition to solo marimba literature. While technically accessible to the intermediate player, advanced players can also enjoy the musical possibilities this piece offers.

Truly a beautiful addition to solo marimba literature. While technically accessible to the intermediate player, advanced players can also enjoy the musical possibilities this piece offers.

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skoog-wf-cover
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Intermediate
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Water and Fire

$11.00 – $13.00
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A standard repertoire piece for all aspiring young players. Don Skoog’s Water and Fire was the second prize winner in the 1982 PAS composition competition. “Destined to become part of the serious artist/performers repertoire.” (PAS Review)

A standard repertoire piece for all aspiring young players. Don Skoog’s Water and Fire was the second prize winner in the 1982 PAS composition competition. “Destined to become part of the serious artist/performers repertoire.” (PAS Review)

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Watermelon whispers Cover
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Watermelon Whispers (G.H. Green/arr. Yurika Kimura)

$21.00 – $24.00
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Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.

Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.

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Well-Tempered Marimbist, Book I

$15.00
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It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.

It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.

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Well-Tempered Marimbist, Book II

$20.00
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It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.

It’s called the “Well-Tempered Marimbist”, because each of the pieces is in a different key, like Bach’s “Well-Tempered Clavier”. Each piece was written with specific musical and technical challenges in mind.

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Whatever’s More

$10.00 – $11.00
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This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.

This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.

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