Spanish Dance (Playera) (Granados/arr. Ron Fink)
$12.00Arranged for marimba quartet
Arranged for marimba quartet
Showing 257–272 of 320 results
Showing 257–272 of 320 results
Arranged for marimba quartet
Arranged for marimba quartet
“Spectrum” would be a fine choice for any intermediate- to advanced-level marimbist. The music is charming and suitable for any recital or concert.- Percussive News
“Spectrum” would be a fine choice for any intermediate- to advanced-level marimbist. The music is charming and suitable for any recital or concert.- Percussive News
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)
Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
An interesting three-movement work that puts the player through various musical styles. The first movement is rhythmic and fast . The second movement is soft and flowing in a chorale style. The last movement is a study in changing meters.
An interesting three-movement work that puts the player through various musical styles. The first movement is rhythmic and fast . The second movement is soft and flowing in a chorale style. The last movement is a study in changing meters.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity.
Composed in 1950, Fissinger’s “Suite” is the first polyphonic work for unaccompanied marimba, combining both traditional tertian and quartal/quintal harmonies to evoke introspection, anticipation, panic, and serenity.
A four-movement piece for solo marimba
A four-movement piece for solo marimba
This solo for the advanced marimbist is in four movements. It contains the famous “Piece for Marimba” (mvt. 2), as recorded by Gordon Stout (“Music for Solo Marimba”). Each movement is in a contrasting style, making this an ideal recital work. 4.3 marimba is required.
This solo for the advanced marimbist is in four movements. It contains the famous “Piece for Marimba” (mvt. 2), as recorded by Gordon Stout (“Music for Solo Marimba”). Each movement is in a contrasting style, making this an ideal recital work. 4.3 marimba is required.
An amalgamation of Bach’s solo string suites for cello and lute, arranged for marimba.
An amalgamation of Bach’s solo string suites for cello and lute, arranged for marimba.
This energetic piece gives marimbists the opportunity to show off their octaves, as they permeate the wild and sometimes “raucous” texture. There are also plenty of opportunities to exercise musical expression, especially during the chorale.
This energetic piece gives marimbists the opportunity to show off their octaves, as they permeate the wild and sometimes “raucous” texture. There are also plenty of opportunities to exercise musical expression, especially during the chorale.
“Others will have difficulty matching the quality of this keyboard duo arrangement of a George Gershwin hit. Bob Becker’s xylophone interpretation maintains the integrity of the original melody, yet masterfully includes material that will allow the performer to demonstrate glimpses of virtuosity.”-Percussive Notes
“Others will have difficulty matching the quality of this keyboard duo arrangement of a George Gershwin hit. Bob Becker’s xylophone interpretation maintains the integrity of the original melody, yet masterfully includes material that will allow the performer to demonstrate glimpses of virtuosity.”-Percussive Notes
Tailoring for Two was written for my student Taylor Katanick, and premiered by Taylor and Gordon Stout in 2014 at Ithaca College. A really fun duo, requiring two 5.0 marimbas.
Tailoring for Two was written for my student Taylor Katanick, and premiered by Taylor and Gordon Stout in 2014 at Ithaca College. A really fun duo, requiring two 5.0 marimbas.
An evocative short, somewhat virtuositic work which is great as a change of pace in a recital program or as an encore. Programmatically depicts the flight and demise of a butterfly. Very effective.
An evocative short, somewhat virtuositic work which is great as a change of pace in a recital program or as an encore. Programmatically depicts the flight and demise of a butterfly. Very effective.