Marimba

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Sir Lancelot

$8.00
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The chivalry and romanticism of Merry Olde England is conjured up by this work which features a 6/8 and a 2/4 dance, 4-mallet block-chordal and tonal harmonies and arpeggios over the entire keyboard. Reminiscent of the Elizabethan music of composers, John Dowland and William Byrd. Duration = 3:00

The chivalry and romanticism of Merry Olde England is conjured up by this work which features a 6/8 and a 2/4 dance, 4-mallet block-chordal and tonal harmonies and arpeggios over the entire keyboard. Reminiscent of the Elizabethan music of composers, John Dowland and William Byrd. Duration = 3:00

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Six Suites for Marimba (Bach/trans. Stevens)

$38.00 – $44.00
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Two books in one binding, 106 pages. LHS’ Marimbists’ Guide to Performing Bach contains 17 sections covering tempo, ornamentation, articulation, mallet choice, production of legato, etc.

Two books in one binding, 106 pages. LHS’ Marimbists’ Guide to Performing Bach contains 17 sections covering tempo, ornamentation, articulation, mallet choice, production of legato, etc.

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Solos Arrangement/Transcription
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Six Suites for Unaccompanied Violoncello (Bach/trans. for Marimba by Stauffer)

$38.00 – $44.00
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After a lifetime of studying Bach, George B. Stauffer transcribed for marimba and embellished the famous Six Suites for Unaccompanied Violoncello, BWV 1007-1012.

After a lifetime of studying Bach, George B. Stauffer transcribed for marimba and embellished the famous Six Suites for Unaccompanied Violoncello, BWV 1007-1012.

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Somewhere in Africa There’s a Whirlwind

$36.00 – $42.00
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“Here is another excellent work by Gordon Stout that is primed for graduate recitals.”-Percussive NotesSomewhere in Africa There’s a Whirlwind is an exciting and virtuosic work. The “whirlwind” portion of the title refers to the fast passage work in the marimba one part. The “Africa” portion of the title refers to the rhythm of the marimba two part, which is in large part based on the African double bell pattern. This work requires mature performers who posses excellent technique and advanced ensemble skills.

“Here is another excellent work by Gordon Stout that is primed for graduate recitals.”-Percussive NotesSomewhere in Africa There’s a Whirlwind is an exciting and virtuosic work. The “whirlwind” portion of the title refers to the fast passage work in the marimba one part. The “Africa” portion of the title refers to the rhythm of the marimba two part, which is in large part based on the African double bell pattern. This work requires mature performers who posses excellent technique and advanced ensemble skills.

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Sonata in A Minor (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.

This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.

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Sonata in B Minor (Bach/arr. Leigh Howard Stevens)

$11.00 – $13.00
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Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.

Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.

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Sonata in D Minor (J.S. Bach/arr. Nathaniel Bartlett)

$12.00 – $13.00
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Adapted to marimba from a keyboard transcription of J.S. Bach’s Sonata in A Minor BWV 1003 for violin, Bartlett’s minor adjustments make this an easily accessible addition to the repertoire. A 5.0 octave instrument is required.

Adapted to marimba from a keyboard transcription of J.S. Bach’s Sonata in A Minor BWV 1003 for violin, Bartlett’s minor adjustments make this an easily accessible addition to the repertoire. A 5.0 octave instrument is required.

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Sonate Pathetique (Beethoven/arr. Cherissa Legende-Vitter)

$10.00
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A beautiful transcription of the ever popular second movement of Beethoven’s piano sonata. Complete with varied roll notation and stickings, Legendre’s work makes this piece easily accessible to the accomplished four-mallet marimbist. A 5.0 octave instrument and versatile technique are required.

A beautiful transcription of the ever popular second movement of Beethoven’s piano sonata. Complete with varied roll notation and stickings, Legendre’s work makes this piece easily accessible to the accomplished four-mallet marimbist. A 5.0 octave instrument and versatile technique are required.

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Spectrum

$12.00 – $13.00
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“Spectrum” would be a fine choice for any intermediate- to advanced-level marimbist. The music is charming and suitable for any recital or concert.- Percussive News

“Spectrum” would be a fine choice for any intermediate- to advanced-level marimbist. The music is charming and suitable for any recital or concert.- Percussive News

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Still and Changing Times

$12.00
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This work is the first of the solo marimba works written for Greg Zuber of the Metropolitan Opera Orchestra, as well as the third work in general involving marimba or percussion written for him.

This work is the first of the solo marimba works written for Greg Zuber of the Metropolitan Opera Orchestra, as well as the third work in general involving marimba or percussion written for him.

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Strikes and Resonance

$15.00 – $17.00
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Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)

Bahr’s highly idiomatic writing simultaneously exploits both the marimba’s articulate and resonant capabilities. The player needs a 5.0 octave instrument and strong technique. (Intermediate to Advanced)

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