Showing 1–20 of 384 results
Showing 1–20 of 384 results
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
Featured in the hit video game, ‘Cuphead: The Delicious Last Course,’ this fun xylo rag was inspired by the works of George Hamilton and Joe Green. Written for marimba quartet and xylo solo, with optional string quartet and vocal trio.
Featured in the hit video game, ‘Cuphead: The Delicious Last Course,’ this fun xylo rag was inspired by the works of George Hamilton and Joe Green. Written for marimba quartet and xylo solo, with optional string quartet and vocal trio.
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
This is the second work for solo marimba written for Greg Zuber. The title is a play on words, referring as much to recurring figures in the piece, especially in the latter part of the work.
This is the second work for solo marimba written for Greg Zuber. The title is a play on words, referring as much to recurring figures in the piece, especially in the latter part of the work.
A marimba duet commissioned by the percussion duo Escape X.
A marimba duet commissioned by the percussion duo Escape X.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.
A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.
With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).
With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.
(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
The best selling composer of Bicksa and Six Bagatelles continues his winning streak with All Hallow’s Eve. This complex solo is not for the faint of heart! Dedicated and premiered by Gordon Stout, All Hallow’s Eve is guaranteed to add a little spice to your next recital.
The best selling composer of Bicksa and Six Bagatelles continues his winning streak with All Hallow’s Eve. This complex solo is not for the faint of heart! Dedicated and premiered by Gordon Stout, All Hallow’s Eve is guaranteed to add a little spice to your next recital.
Altered Echoes is a four-movement work playable on a 4.6 range (low “E”) marimba. The titles of the movements are quite telling: Tropes of Wood, Darkened Spaces, Readings of Change and Particles of Light. It is idiomatic, serious and challenging for the advanced player.
Altered Echoes is a four-movement work playable on a 4.6 range (low “E”) marimba. The titles of the movements are quite telling: Tropes of Wood, Darkened Spaces, Readings of Change and Particles of Light. It is idiomatic, serious and challenging for the advanced player.
Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.
Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
