Showing 1–16 of 21 results
Showing 1–16 of 21 results
Marimba Parts to the Duo Concertante by Gordon Stout Only! Full wind ensemble score and parts available by rental.
Marimba Parts to the Duo Concertante by Gordon Stout Only! Full wind ensemble score and parts available by rental.
In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.
In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.
2nd Place Winner – 2008 PAS Composition Contest
2nd Place Winner – 2008 PAS Composition Contest
A Sammut original! Performed by Jasmin Kolberg on her CD, Mosaique, this rhythmic, dancing piece is sure to be an audience pleaser.
A Sammut original! Performed by Jasmin Kolberg on her CD, Mosaique, this rhythmic, dancing piece is sure to be an audience pleaser.
Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.
Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.
Ewazen’s combination of flute, bassoon, and marimba is exquisite, as is his writing. This four-movement work is perfect for any recital. 5.0 octave marimba required.
Ewazen’s combination of flute, bassoon, and marimba is exquisite, as is his writing. This four-movement work is perfect for any recital. 5.0 octave marimba required.
The music box-inspired tune, originally by electronic musician Aphex Twin, arranged for Percussion Ensemble.
The music box-inspired tune, originally by electronic musician Aphex Twin, arranged for Percussion Ensemble.
(1998) Soprano solo and 4 players – marimba, vibraphone, 3va glockenspiel/crotales and piano. All parts are challenging. Soprano requires high B-flat. 10 minutes.
(1998) Soprano solo and 4 players – marimba, vibraphone, 3va glockenspiel/crotales and piano. All parts are challenging. Soprano requires high B-flat. 10 minutes.
Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
A traditional Japanese lullaby, arranged for alto saxophone (who also plays tam -tam), marimba (4 mallets) and percussion (crotales or glockenspiel, wood block, and triangle). ‘Ora No Omboko’s’ delicate textures and haunting melodic material make a lovely change of pace for any performance situation. The piece also provides excellent small ensemble experience for the intermediate marimbist and percussionist.
A traditional Japanese lullaby, arranged for alto saxophone (who also plays tam -tam), marimba (4 mallets) and percussion (crotales or glockenspiel, wood block, and triangle). ‘Ora No Omboko’s’ delicate textures and haunting melodic material make a lovely change of pace for any performance situation. The piece also provides excellent small ensemble experience for the intermediate marimbist and percussionist.
For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.
For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.
This piece was written to exploit the possibilities of a solo side drum set against a small group of other percussion instruments, as well as explore relative (rather than absolute) pitch in addition to rhythm and timbre.
This piece was written to exploit the possibilities of a solo side drum set against a small group of other percussion instruments, as well as explore relative (rather than absolute) pitch in addition to rhythm and timbre.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.
