Showing 17–32 of 93 results
Showing 17–32 of 93 results
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Eric Ewazen’s “Concerto for Marimba and String Orchestra” now available for solo marimba and percussion ensemble. Arranged by Richard Gipson.
Eric Ewazen’s “Concerto for Marimba and String Orchestra” now available for solo marimba and percussion ensemble. Arranged by Richard Gipson.
Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.
Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.
Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.
Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.
This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.
This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
This package contains ONLY the Solo Clarinet part and Solo Percussion part. This package does NOT contain a Piano Reduction Score, a Full Conductor Score, nor any ensemble parts. To […]
It is rare that the instrumental combination of two-mallet marimba and piano sounds like a serious piece of chamber music, but this new work by Rick Orpen belies the stereotype. This work is also substantial in length, filling almost ten minutes with interesting and challenging music.
It is rare that the instrumental combination of two-mallet marimba and piano sounds like a serious piece of chamber music, but this new work by Rick Orpen belies the stereotype. This work is also substantial in length, filling almost ten minutes with interesting and challenging music.
Although written for a 5.0 octave marimba, Orpen offers suggestions to accommodate a 4.3 octave instrument. This piece is 6:20 in length and requires an ability to execute strong octaves in both hands.
Although written for a 5.0 octave marimba, Orpen offers suggestions to accommodate a 4.3 octave instrument. This piece is 6:20 in length and requires an ability to execute strong octaves in both hands.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
