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Concerto for Marimba and String Orch.—Piano Red.

$48.00$55.00

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

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Concerto for Timpani, Percussion and Winds

$120.00

Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.

Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.

Crossings

$25.00

Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.

Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.

Desperate Attitudes

$60.00

“Desperate Attitudes” is already accepted and established as a standard repertoire work. “In your face” mallet parts with a really “urban” edge, but it also has tremendous lyrical and harmonic impact.

“Desperate Attitudes” is already accepted and established as a standard repertoire work. “In your face” mallet parts with a really “urban” edge, but it also has tremendous lyrical and harmonic impact.

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Diptych No. 4

$19.00$22.00

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

Select options This product has multiple variants. The options may be chosen on the product page
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Select options This product has multiple variants. The options may be chosen on the product page

Duo (Dance-Song) for Bassoon and Marimba

$24.00$28.00

This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.

This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.

Select options This product has multiple variants. The options may be chosen on the product page
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Select options This product has multiple variants. The options may be chosen on the product page

Duo (Dance-Song) for Soprano Sax and Marimba

$19.00$22.00

This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.

This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.

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Duo for Piano and Marimba

$25.00

It is rare that the instrumental combination of two-mallet marimba and piano sounds like a serious piece of chamber music, but this new work by Rick Orpen belies the stereotype. This work is also substantial in length, filling almost ten minutes with interesting and challenging music.

It is rare that the instrumental combination of two-mallet marimba and piano sounds like a serious piece of chamber music, but this new work by Rick Orpen belies the stereotype. This work is also substantial in length, filling almost ten minutes with interesting and challenging music.

Duo for Piano and Marimba #2

$25.00

Although written for a 5.0 octave marimba, Orpen offers suggestions to accommodate a 4.3 octave instrument. This piece is 6:20 in length and requires an ability to execute strong octaves in both hands.

Although written for a 5.0 octave marimba, Orpen offers suggestions to accommodate a 4.3 octave instrument. This piece is 6:20 in length and requires an ability to execute strong octaves in both hands.

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