Showing 21–40 of 341 results
Showing 21–40 of 341 results
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
A short but exciting piece for multi-percussion quartet.
A short but exciting piece for multi-percussion quartet.
A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.
An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.
Based on traditional military drum beats and on Steve Gadd’s military samba ‘Duke’s Lullaby.’
Based on traditional military drum beats and on Steve Gadd’s military samba ‘Duke’s Lullaby.’
An avant-garde duet for marimba and cello, accompanying a video by Ann Steuemagel.
An avant-garde duet for marimba and cello, accompanying a video by Ann Steuemagel.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
Written for the Index 4 Percussion Quartet after a trip to Anghor Vat in 1998.
Written for the Index 4 Percussion Quartet after a trip to Anghor Vat in 1998.
“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.
“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.
A set of five short duets for vibraphone and marimba. The marimba part can be played on a 4.6 octave instrument. Perfect for programming in a joint recital!
A set of five short duets for vibraphone and marimba. The marimba part can be played on a 4.6 octave instrument. Perfect for programming in a joint recital!
Soloist: 5.0 octave marimba Percussion 1: Vibraphone, Slapstick, Pop gun, Large Opera Gong, 2 earthplates, Sus. Cymbal Percussion 2: Glockenspiel, Snare Drum, Duck call, Train Whistle, *Boing, *Bag of junk, […]
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
Rudimental Duo (any two drums with different timbres)
Rudimental Duo (any two drums with different timbres)
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The name Castle Valse refers to the dance team Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. They appeared with Earl Fuller’s Rector Novelty Orchestra at Rector’s Restaurant in NYC in 1917, a time when Fuller also featured George Hamilton Green in his ensemble.
The name Castle Valse refers to the dance team Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. They appeared with Earl Fuller’s Rector Novelty Orchestra at Rector’s Restaurant in NYC in 1917, a time when Fuller also featured George Hamilton Green in his ensemble.
The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.
The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
