Chamber/Ensemble

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Vertical River

$30.00 – $35.00
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Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.

Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.

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Waking Dreams

$71.00 – $83.00
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Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.

Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.

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Warrior from the Deep

$40.00
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One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes

One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes

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Water Lilies

$48.00 – $55.00
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“Inspired by the Nymphéas series of paintings by French impressionist Claude Monet… [Water Lilies] is a beautifully complex and satisfying work for five percussionists and a pianist… it is recommended for professional ensembles and upper-level graduate students.” —Danielle Moreau, Percussive Notes

“Inspired by the Nymphéas series of paintings by French impressionist Claude Monet… [Water Lilies] is a beautifully complex and satisfying work for five percussionists and a pianist… it is recommended for professional ensembles and upper-level graduate students.” —Danielle Moreau, Percussive Notes

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Watermelon Whispers (G.H. Green/arr. Yurika Kimura)

$21.00 – $24.00
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Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.

Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.

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Weiss Guy

$60.00
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Written in tribute to percussion retail giant Steve Weiss, this mixed percussion ensemble piece for 12 players combines minimalism, quartal harmonies, improvisation and Afro-Cuban drumming.

Written in tribute to percussion retail giant Steve Weiss, this mixed percussion ensemble piece for 12 players combines minimalism, quartal harmonies, improvisation and Afro-Cuban drumming.

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Whatever’s More 2

$40.00
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This marimba part to this version is exactly the same as the original for solo marimba (2010). There are now additional string parts (two violins, viola, and cello) to accompany this solo. An even more beautiful version of one of Stout’s most beautiful compositions.

This marimba part to this version is exactly the same as the original for solo marimba (2010). There are now additional string parts (two violins, viola, and cello) to accompany this solo. An even more beautiful version of one of Stout’s most beautiful compositions.

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Whistler, The (G.H.Green/arr. Bob Becker)

$19.00 – $22.00
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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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White Pines – Marimba and Percussion Sextet

$68.00 – $79.00
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White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.

White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.

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Intermediate
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Willow

$48.00 – $55.00
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(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.

(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.

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Xpu-Ha Experiment

$40.00
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Pronounced “shpoo-ha”, this work is a very aggressive, rhythmic, drumming ensemble for 4 percussionists. At times played barbarically and savagely, Xpu-Ha Experiment is written in the form of a tribal dance. It will undoubtedly prove to be a very intense 7-minute experience for the players and audience alike.

Pronounced “shpoo-ha”, this work is a very aggressive, rhythmic, drumming ensemble for 4 percussionists. At times played barbarically and savagely, Xpu-Ha Experiment is written in the form of a tribal dance. It will undoubtedly prove to be a very intense 7-minute experience for the players and audience alike.

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Intermediate
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Xylophonia (arr. for Xylo Solo and Band)

$78.00 – $90.00
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This fun arrangement of George Hamilton Green’s Xylophonia for concert band demonstrates the dance music that was popular from the turn of the century until the 1930s.

This fun arrangement of George Hamilton Green’s Xylophonia for concert band demonstrates the dance music that was popular from the turn of the century until the 1930s.

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Xylophonia Orch Excerpt
Intermediate
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Xylophonia (arr. for Xylo Solo and Orchestra)

$78.00 – $90.00
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This fun arrangement of George Hamilton Green’s Xylophonia for orchestra demonstrates the dance music that was popular from the turn of the century until the 1930s.

This fun arrangement of George Hamilton Green’s Xylophonia for orchestra demonstrates the dance music that was popular from the turn of the century until the 1930s.

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Xylophonia (J.Green.arr. Bob Becker)

$19.00 – $22.00
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The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

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Yellow Dog Blues (W.C. Handy/arr. Yurika Kimura)

$21.00 – $24.00
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“Green’s unique bluesy style is evident in this fun, challenging xylophone solo. The marimba accompaniment is equally challenging (if not more so) and requires a player who is comfortable with large leaps in the bass line while playing busy syncopated patterns in the right hand.”-Percussive Notes

“Green’s unique bluesy style is evident in this fun, challenging xylophone solo. The marimba accompaniment is equally challenging (if not more so) and requires a player who is comfortable with large leaps in the bass line while playing busy syncopated patterns in the right hand.”-Percussive Notes

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