Chamber/Ensemble

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Nordic Peace

$38.00 – $44.00
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Nordic Peace is a percussion quartet that takes ideas from a drumset fill. One of the set-ups calls for a drum set without toms. The other set-up uses toms, bongos, timbales, kickdrum. cow bells, wood blocks, opera gongs and shaker (among other things). Traditional drum set ideas are presented from a different point of view. Intermediate/Advanced, Duration 9:30

Nordic Peace is a percussion quartet that takes ideas from a drumset fill. One of the set-ups calls for a drum set without toms. The other set-up uses toms, bongos, timbales, kickdrum. cow bells, wood blocks, opera gongs and shaker (among other things). Traditional drum set ideas are presented from a different point of view. Intermediate/Advanced, Duration 9:30

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Not What I Expected

$42.00
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A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes

A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes

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Old Man Jazz (Gene Quaw/arr. Yurika Kimura)

$21.00 – $24.00
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Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

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Ora No Omboko

$12.00
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A traditional Japanese lullaby, arranged for alto saxophone (who also plays tam -tam), marimba (4 mallets) and percussion (crotales or glockenspiel, wood block, and triangle). ‘Ora No Omboko’s’ delicate textures and haunting melodic material make a lovely change of pace for any performance situation. The piece also provides excellent small ensemble experience for the intermediate marimbist and percussionist.

A traditional Japanese lullaby, arranged for alto saxophone (who also plays tam -tam), marimba (4 mallets) and percussion (crotales or glockenspiel, wood block, and triangle). ‘Ora No Omboko’s’ delicate textures and haunting melodic material make a lovely change of pace for any performance situation. The piece also provides excellent small ensemble experience for the intermediate marimbist and percussionist.

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Outgoing

$74.00
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Outgoing (original version 2011) is scored for piano, marimba (5.0), timpani and two percussionists, and is approximately 9’30” in length. In instrumentation only, I had in mind the Sonata for Two Pianists and Two Percussionists by Bartok. The marimba part is the second piano part. There is a highly chromatic timpani part as in the Sonata. The percussion parts are really in effect a drum set part split into two parts, one playing the drums and one playing cymbals, thus completing the similarity in instrumentation to the Bartok Sonata. This is a broad and expansive work, encompassing a number of different styles of music and expressive capabilities of the exciting chamber group.

Outgoing (original version 2011) is scored for piano, marimba (5.0), timpani and two percussionists, and is approximately 9’30” in length. In instrumentation only, I had in mind the Sonata for Two Pianists and Two Percussionists by Bartok. The marimba part is the second piano part. There is a highly chromatic timpani part as in the Sonata. The percussion parts are really in effect a drum set part split into two parts, one playing the drums and one playing cymbals, thus completing the similarity in instrumentation to the Bartok Sonata. This is a broad and expansive work, encompassing a number of different styles of music and expressive capabilities of the exciting chamber group.

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Overkill

$42.00
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Overkill is scored for four players, each utilizing multiple drums around a centered cymbal set-up. Classic rock fans will recognize the main rhythmic theme, which is played over and over, hence the title of the piece.

Overkill is scored for four players, each utilizing multiple drums around a centered cymbal set-up. Classic rock fans will recognize the main rhythmic theme, which is played over and over, hence the title of the piece.

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Palta

$48.00 – $55.00
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(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.

(1982, revised 1998) percussion solo (amplified tabla, congas, or drum set solo with accompaniment by eight players) – crotales, glockenspiel, marimba, songbells (may substitute second vibraphone), steel pan, vibraphone, electric or acoustic piano and electric bass guitar.

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Parkway

$27.00 – $31.00
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Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.

Commissioned by the Escape X Percussion Duo, Locke’s programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey’s most famous highways.

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Passacaglia for Percussion Ensemble

$60.00
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A finely crafted work for ten players, featuring two sets of antiphonal timpani. Parts range from very simple bass drum and cymbals, to challenging snare drum, keyboard and timpani. Premiered by the Eastman Percussion Ensemble. Neat manuscript, spiral bound.

A finely crafted work for ten players, featuring two sets of antiphonal timpani. Parts range from very simple bass drum and cymbals, to challenging snare drum, keyboard and timpani. Premiered by the Eastman Percussion Ensemble. Neat manuscript, spiral bound.

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BOCKMAN-PPUID-EXCERPT
3-5 Players
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Pavane pour une infante défunte

$27.00 – $31.00
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Arranged and adapted from Maurice Ravel’s Pavane pour une infante défunte (Pavane for a dead princess), Bockman combines elements from both the original piano and the orchestral versions of the piece, along with a few personal touches. Appropriate for both intermediate and professional players.

Arranged and adapted from Maurice Ravel’s Pavane pour une infante défunte (Pavane for a dead princess), Bockman combines elements from both the original piano and the orchestral versions of the piece, along with a few personal touches. Appropriate for both intermediate and professional players.

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Penumbra

$58.00
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Composed for Gary Cook and the University of Arizona Percussion Ensemble, it has received very favorable reviews. Written for large percussion ensemble (15 players), and in three movements.

Composed for Gary Cook and the University of Arizona Percussion Ensemble, it has received very favorable reviews. Written for large percussion ensemble (15 players), and in three movements.

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Percussion Quartet No. 1

$14.00
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An exciting piece for four players, each playing a drum, wood sounds and cymbal. (None of the required set-ups are large.) The improvised sections, each one emphasizing a different element (timbre, dynamic, rhythm, etc.), give the players opportunities to be creative within a controlled context.

An exciting piece for four players, each playing a drum, wood sounds and cymbal. (None of the required set-ups are large.) The improvised sections, each one emphasizing a different element (timbre, dynamic, rhythm, etc.), give the players opportunities to be creative within a controlled context.

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