Showing 1–16 of 24 results
Showing 1–16 of 24 results
Aqalani is a Navajo greeting which can mean either hello or goodbye. Written for eight players and optional chorus, the percussion are divided into two groups of 4.
Aqalani is a Navajo greeting which can mean either hello or goodbye. Written for eight players and optional chorus, the percussion are divided into two groups of 4.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
A set of five short duets for vibraphone and marimba. The marimba part can be played on a 4.6 octave instrument. Perfect for programming in a joint recital!
A set of five short duets for vibraphone and marimba. The marimba part can be played on a 4.6 octave instrument. Perfect for programming in a joint recital!
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
Composed for PASIC 2004, these four minutes are not for the faint of heart! The motivation behind the piece comes from the sheer stress resulting from the logistics of assembling and preparing for a showcase performance.
Composed for PASIC 2004, these four minutes are not for the faint of heart! The motivation behind the piece comes from the sheer stress resulting from the logistics of assembling and preparing for a showcase performance.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Inspired by the final confrontation of the Boy Who Lived and He-Who-Shall-Not-Be-Named.
Inspired by the final confrontation of the Boy Who Lived and He-Who-Shall-Not-Be-Named.
A massive percussion orchestra of 21 players.Maslanka offers this piece in memory of Bob Hohner, one of the greatest contributors to percussion ensemble literature and performance. Strikingly gorgeous sonorities move audience and players alike.
A massive percussion orchestra of 21 players.Maslanka offers this piece in memory of Bob Hohner, one of the greatest contributors to percussion ensemble literature and performance. Strikingly gorgeous sonorities move audience and players alike.
A modern, energetic percussion ensemble piece that blends Baroque, Metal and Jazz music.
A modern, energetic percussion ensemble piece that blends Baroque, Metal and Jazz music.
A fast-paced, tropically-influenced piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
A fast-paced, tropically-influenced piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
Composed for Gary Cook and the University of Arizona Percussion Ensemble, it has received very favorable reviews. Written for large percussion ensemble (15 players), and in three movements.
Composed for Gary Cook and the University of Arizona Percussion Ensemble, it has received very favorable reviews. Written for large percussion ensemble (15 players), and in three movements.
Each of the seven movements is a depiction of a character from the composer’s family album. The piece requires seven players, each taking turns reading text while the others perform the associated music.
Each of the seven movements is a depiction of a character from the composer’s family album. The piece requires seven players, each taking turns reading text while the others perform the associated music.
Commissioned for Escape X, this marimba duo uses shell bracelets and ankle bells to create imagery of sand dunes.
Commissioned for Escape X, this marimba duo uses shell bracelets and ankle bells to create imagery of sand dunes.
Septet features a soloist part for bongos and timbales with roto-tom, triangle, cymbals, cowbells, and cabasa providing the accompaniment. The timbales present a 16 bar theme which is then varied and developed.
Septet features a soloist part for bongos and timbales with roto-tom, triangle, cymbals, cowbells, and cabasa providing the accompaniment. The timbales present a 16 bar theme which is then varied and developed.
