Showing 1–20 of 22 results
Showing 1–20 of 22 results
A lightweight mallet that is best used for passages below forte. The advantage of this mallet lies in its bright, light tone at lower dynamic levels, and its easy maneuverability.
A lightweight mallet that is best used for passages below forte. The advantage of this mallet lies in its bright, light tone at lower dynamic levels, and its easy maneuverability.
A lightweight mallet that is best used for passages below forte. The advantage of this mallet lies in its bright, light tone at lower dynamic levels, and its easy maneuverability.
A lightweight mallet that is best used for passages below forte. The advantage of this mallet lies in its bright, light tone at lower dynamic levels, and its easy maneuverability.
A medium weight mallet that is clean, bright and full at all dynamic levels. Excellent for synthetic xylophone.
A medium weight mallet that is clean, bright and full at all dynamic levels. Excellent for synthetic xylophone.
A medium weight mallet that is clean, bright and full at all dynamic levels. Excellent for synthetic xylophone.
A medium weight mallet that is clean, bright and full at all dynamic levels. Excellent for synthetic xylophone.
This is a heavier weighted mallet that is suited well for bells. Provides a dark, warmer tone without the “tick” of most bell mallets.
This is a heavier weighted mallet that is suited well for bells. Provides a dark, warmer tone without the “tick” of most bell mallets.
This is a heavier weighted mallet that is suited well for bells. Provides a dark, warmer tone without the “tick” of most bell mallets.
This is a heavier weighted mallet that is suited well for bells. Provides a dark, warmer tone without the “tick” of most bell mallets.
The attack “tick” is almost completely hidden by the tone that this mallet produces. As a general bell mallet it will produce the big, brillian stound needed for most orchestral bell parts.
The attack “tick” is almost completely hidden by the tone that this mallet produces. As a general bell mallet it will produce the big, brillian stound needed for most orchestral bell parts.
The attack “tick” is almost completely hidden by the tone that this mallet produces. As a general bell mallet it will produce the big, brillian stound needed for most orchestral bell parts.
The attack “tick” is almost completely hidden by the tone that this mallet produces. As a general bell mallet it will produce the big, brillian stound needed for most orchestral bell parts.
1″ Black Plastic Ball w/ insert on 7.5 mm rattan
1″ Black Plastic Ball w/ insert on 7.5 mm rattan
7/8″ Aluminum Ball on 7.5 rattan
7/8″ Aluminum Ball on 7.5 rattan
Brass Bell
The brass mallet features a small brass bead for maximum brightness
and crystalline tones.
Brass Bell
The brass mallet features a small brass bead for maximum brightness
and crystalline tones.
7/8″ Soapy Black Ball #1 Black Fiberglass shaft
7/8″ Soapy Black Ball #1 Black Fiberglass shaft
1/2″ Black Plastic Ball w/ insert on #1 Black Fiberglass shaft
1/2″ Black Plastic Ball w/ insert on #1 Black Fiberglass shaft
7/8″ Clear Ball on #2 Red Fiberglass shaft
7/8″ Clear Ball on #2 Red Fiberglass shaft
7/8″ Grey Ball on #2 Red Fiberglass Shaft
7/8″ Grey Ball on #2 Red Fiberglass Shaft
7/8″ White Ball on #2 Red Fiberglass Shaft
7/8″ White Ball on #2 Red Fiberglass Shaft
1″ Orange Ball on #2 Red Fiberglass Shaft
1″ Orange Ball on #2 Red Fiberglass Shaft
1″ Black Plastic Ball w/ insert on #3 White Fiberglass Shaft
1″ Black Plastic Ball w/ insert on #3 White Fiberglass Shaft
3/4″ Aluminum Ball on #3 White Fiberglass Shaft
3/4″ Aluminum Ball on #3 White Fiberglass Shaft
7/8″ Aluminum Ball on #3 White Fiberglass Shaft
7/8″ Aluminum Ball on #3 White Fiberglass Shaft
