Thom Hasenpflug

Dr. Thom Hasenpflug is nationally recognized as a performer and educator, and his compositions for percussion receive international attention and are played all over the world. He has received top awards in the PAS composition contest as well as the Louis Smadbeck prize. International performances of his works have occurred in London, Hong Kong, Taiwan, Dublin, Rio de Janiero, Venezuela, and Sweden, by various percussion groups of note. Born in 1966, he received his Degrees in percussion and composition from Ithaca College and the University of Colorado. He has studied with Gordon Stout, Doug Walter, Greg Woodward, Joe Lukasik, Bill Molenhof, and Dana Wilson.

As a percussionist-composer, he has given presentations and masterclasses at many universities and is active as a clinician. He has held teaching posts at Idaho State University, Drake University, the University of South Dakota, and Emporia State University. He has performed as a member of numerous symphonies, and has fronted the Hasenproject percussion group, whose album Compercussions has received critical acclaim.

From Thom Hasenpflug

All Hallow’s Eve

$10.00

The best selling composer of Bicksa and Six Bagatelles continues his winning streak with All Hallow’s Eve. This complex solo is not for the faint of heart! Dedicated and premiered by Gordon Stout, All Hallow’s Eve is guaranteed to add a little spice to your next recital.

The best selling composer of Bicksa and Six Bagatelles continues his winning streak with All Hallow’s Eve. This complex solo is not for the faint of heart! Dedicated and premiered by Gordon Stout, All Hallow’s Eve is guaranteed to add a little spice to your next recital.

Bicksa

$24.00

“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.

“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.

For The Gap

$17.00

This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug

This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug

Leksaker

$30.00

In Swedish, the title means “playthings” or toys. The work is designed for 8 players who, according to the composer, should “treat their instruments as objects of youthful amazement and experimentation.”

In Swedish, the title means “playthings” or toys. The work is designed for 8 players who, according to the composer, should “treat their instruments as objects of youthful amazement and experimentation.”

The Kudu

$8.00

This single-movement programmatic work for solo marimba is a depiction of “the daily activities in the precarious life of the kudu”, a type of antelope which dwells on the plains of Africa. From serene rubatos to panicked obligatos and running ostinatos, this piece promises adventure.

This single-movement programmatic work for solo marimba is a depiction of “the daily activities in the precarious life of the kudu”, a type of antelope which dwells on the plains of Africa. From serene rubatos to panicked obligatos and running ostinatos, this piece promises adventure.

Third Dance

$9.00

A more complicated companion piece to two Short Dances contains similar treatment of thematic cells. Tritones and triplet figures permeate the texture. Can be played on a 4.3 marimba.

A more complicated companion piece to two Short Dances contains similar treatment of thematic cells. Tritones and triplet figures permeate the texture. Can be played on a 4.3 marimba.

Two Short Dances

$9.00

Begins with a 12/8 swing and moves into a slow expressive rubato before accelerating back into a swing feel for a dramatic finale. Both dances can be performed on a 4.3 marimba.

Begins with a 12/8 swing and moves into a slow expressive rubato before accelerating back into a swing feel for a dramatic finale. Both dances can be performed on a 4.3 marimba.