David Maslanka

David Maslanka was born in New Bedford, MA in 1943. He attended the Oberlin Conservatory, and studied for a year at the Mozarteum in Salzburg, Austria. He did master's and doctoral work in composition at Michigan State University with H. Owen Reed.

David Maslanka's compositions have been performed throughout the United States and in numerous foreign countries. His works for winds and percussion have become especially well known.

He has served on the faculties of SUNY Geneseo, Sarah Lawrence College, New York University, and CUNY Kingsborough. He is now a free-lance composer and lives in Missoula, Montana.

From David Maslanka

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Hohner

$80.00
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A massive percussion orchestra of 21 players.Maslanka offers this piece in memory of Bob Hohner, one of the greatest contributors to percussion ensemble literature and performance. Strikingly gorgeous sonorities move audience and players alike.

A massive percussion orchestra of 21 players.Maslanka offers this piece in memory of Bob Hohner, one of the greatest contributors to percussion ensemble literature and performance. Strikingly gorgeous sonorities move audience and players alike.

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My Lady White

$11.00 – $13.00
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“One of the best new pieces of marimba solo literature to come along in years, this piece has the musical credentials to stand next to the best tonally-oriented works for solo instruments.” – Percussive Notes

“One of the best new pieces of marimba solo literature to come along in years, this piece has the musical credentials to stand next to the best tonally-oriented works for solo instruments.” – Percussive Notes

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Variations on Lost Love

$14.00 – $17.00
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A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.

A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.

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