$10.00 – $11.00
One of three movements from Vibraphone Suite No. 1. May be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. This movement is dedicated to Evelyn Glennie and like the others may be performed as a solo or as part of the suite. Begins and ends with shimmering left-hand rolls. Features a central Latin section.
One of three movements from Vibraphone Suite No. 1. This movement is dedicated to Evelyn Glennie and like the others may be performed as a solo or as part of the suite. Begins and ends with shimmering left-hand rolls. Features a central Latin section.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. Impromptu in style. Can be performed as a solo or as part of the suite.
One of three movements from Vibraphone Suite No. 1. The opening and ending of the piece allow the perform to play very freely. The main body of the work has a swing feel. May be performed as a solo or as part of the suite.
| Difficulty | Advanced |
|---|---|
| Performance Type | Solo |
| Delivery Method | Print Copy, PDF Download, Print & PDF Versions |
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.
A classic method book for snare drum, written by Elden “Buster” Bailey, who was a 40+ year member of the New York Philharmonic, a 20+ year teacher at the Juilliard School, and is acclaimed as one of the greatest snare drummers and snare drum teachers of all time.
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
Arranged for marimba quartet
Arranged for marimba quartet
It is with the virtuosic percussionist in mind that Contemporary Collection for Snare Drum was composed.
It is with the virtuosic percussionist in mind that Contemporary Collection for Snare Drum was composed.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
